Tempi
Ov-68 in 4; 88 in 2
1=144 in 4; 80 in 2; 80 in 2
2-80 in 2
3=78 in 4
4= 120 in 4; 76 in 3; 124 in 4
5=110 in 2
6=100 in 2
7= 100 in 6 ??
8=104 in 4; Andante 104 in 4; Andante 126 in 4; 104 in 2; 120 in 4; 84 in 4; 94 in 2; 138 in 2
9=52 in 2
10=78 in 3
11=64 in 2
12=120 in 2
13=140 in 2
14=136 in 4
15=78 in 4
16=52 in 2
17=76 in 6
18=72 in 4
19=62 in 2
20=74 in 2/92 in 2
21=62 in 2; 140+ in 3; 74+ in 4; 126 in 4; 74 in 3; 58 in 4; 128 in 4; 100 in 2; 88 in 2; 130 in 2 (slower=Papagena); 82 in 2; 82 in 4; 126 in 2
Please access HERE.
Starting cuts for Don Pasquale included below.
Starting TEMPI are listed below (NOTE-orchestral recitative is NOT given a tempo; please skip these sections when applying tempi).
Overture: Faster sections like REH 3 in 2=92 or faster.
CUTS
Act I (No. 2)-_Cut from REH 26 to REH 28
Act II/ (No. 5)--Cut from REH 4 to REH 5
Act III/(No. 11)=Cut from start of m. 50 to start of m. 67
STARTING TEMPI
ACT I
No. 1=in 4=104; REH 14=in 3=69; REH 17=in 4=152; REH 18=in 1=72;
No. 2 Recit Andantino=in 4=108; REH 21=in 4=126; REH 23=in 4=69; REH 24=126; REH 28=in 2=84
No. 3 in 6=112; REH 29=in 2=108-112
No. 4 at REH 33=in 4=76-80; 8 before REH 34 (and like places)=into 8/slower overall pulse; REH 34=back into 4=76-80; REH 36=in 4=132
ACT II
No. 5 in 4=72; REH 3=112
No. 6=120-126; REH 7=72
No. 7=REH 11=in 4=126; REH 14=in 2=88; REH 15=in 4=120; REH 16=112-ish; REH 17=in 2=92 increasing to 120 by 13th bar; REH 21=in 4=63; REH 22=in 4=132; REH 25=in 2=132; bar before REH 27=suddenly slower (about 108), then back to tempo by 10th of REH 27
ACT III
No. 8=in 4=148
No. 9 REH 1=in =144, then 88 at meno; REH 4=in 2=52; REH 6=in 4=132; REH 7=in 1=72
No. 10 REH 12=in 4=152; REH 14=in 4=66, waltz=in 1 same pulse
No. 11 REH 18=in 4=112; REH 20=132; REH 22=in 2=72, then pushing in 9th bar (and like)
No. 12=in 2=66; 12 before REH 29=in 2=52
No. 13 in 4=144 then in 2 at vivace=84;REH 30=in 4=144; REH 31=in 4=108; REH 32=in 2=72
Bowed parts are below. All other parts via IMSLP:
http://imslp.org/wiki/Don_Pasquale_(Donizetti,_Gaetano)
Starting cuts for Figaro included below (orchestra members please disregard cut list). Note--online/email version easier to read!
Starting TEMPI are listed below (NOTE-orchestral recitative is NOT given a tempo; please skip these sections when applying tempi).
NOTE-Re-Numbered to match orchestra parts.
Overture=144
1=132
2=132
3=126/108
4=126
5=132
6=104
7=112
8=72 (first chorus only)
11=72 in 4
12=66 in 2
(13=88=OMIT for now)
14=138
15=84 in 2
16= 92 in 2; 92 in 3; 84 in 1 at 328; 76 in 2 at 398; 98 in 2 at 467; 69 in 2 at 605; 128 in 2 at 697; 138 at piu allegro; 96 in 1 at end
17=66 in 2
18=132 in 4; 80 in 2
19=126
20=70 in 2; 126 n 4
21=58
22=72
23=116;120; 88;120
24=56
25-26=OMIT
27=138
28=50
29=69; 100; 60; 144; 66; 120 in 2; 70; 120+ in 2
1. Online reference parts are available via:
http://imslp.org/wiki/Le_nozze_di_Figaro,_K.492_(Mozart,_Wolfgang_Amadeus)
2. BOWED parts are available below
3. HARD COPIES of all parts will be available in the second week of March
CAST
SRO ORCHESTRA
Flute
Betsy Nace, principal
Danielle Koch
Oboe
Angel McGlasson, principal
Andrew Baker
Clarinet
Allison Storochuk, principal
Sheri Slater
Bassoon
Brent Filmer, principal
Keel Williams
Horn
Lisa Casey, principal
Amy Andreassen
Trumpet
Tijuana Julian, principal
Tim Wootton
Trombone
Bob Swanson, principal
Michael Stine
Jason Hausback
Percussion
Sue Reichling
Violin I
Pam Davis, concertmaster
Kirsten Weingartner Weiss
Aleksis Zarins
Violin 2
Allison Steiner, principal
Ned Horner
Carla Geter
Viola
Kathy Murray, principal
Dorothy Straw
Cello
Jacque Trtan, principal
Matt Pierce
Bass
Riley Robison
Magic Flute Master Schedule
GREEN=Cast + Piano only
RED=Orchestra only (no piano)
ORANGE=Cast + Piano + Choruses
BLUE=ALL personnel (orchestra + choruses + cast)
-
3/25=1-4 MF Readthrough with piano/cast/chorus (4-7)(Clara Thompson Hall)
3/26-4/7=working rehearsals (Weekdays: 12-4 /10-2 on occasion; Weekends: 10-4 as needed)(Clara Thompson Hall or Lydy 221)
Definite Chorus Calls for Staging:
Sat. 3/31 (12-4)
Sat. 4/7 (12-4)
(Other chorus times for staging 3/26-4/7 by arrangement)
4/3 SRO Orchestra Reading/Working 6-8:30 (no cast or chorus)(CTH)
4/5 SRO Orchestra Working 6-8:30 (no cast or chorus)(CTH)
4/8 Sitz (Orchestra+Cast+Chorus) 1-4(CTH)
4/9 Dress 6-9(Gillioz from hereon)
4/10 Dress 6-9
4/11 Dress 6-9
4/13 Performance 1 7:30
4/14 Performance 2 7:30
3/26
1pm-5pm: no. 1-5 (minus no. 4)
(time permitting, 3 Spirit music rehearsal)
3/27
1pm-5pm: no. 4 - 7
(time permitting, 3 Spirit music rehearsal)
3/28
1-5pm: no. 8, 19, 20, 21
3/29
4-8pm: No. 13-17
3/30
1-5: No 11&12, No 19 - end
3/31
10-12: No 11, 12
12-4: No 8 (Schnelle fusse), (Es lebe) No 9, 10, 11, 18, 21 (Wir wandelten to end, only chorus entrances)
Marriage of Figaro Cast
Count Almaviva........Chris Thompson
Countess Rosina Almavia........Jennifer Forni
Susanna........Genevieve Fulks
Figaro........Ben Wager
Cherubino........Ann Marie Daehn
Marcellina........Kristen Walker
Bartolo........Andrew Curtis
Basilio/Don Curzio........Stephen Bomgardner
Barbarina........Dawn Gutierrez
Antonio........Jason Geer
SRO CHORUS
SRO ORCHESTRA
Flute
Betsy Nace, principal
Mira Shifrin
Oboe
Angel McGlasson, principal
Andrew Baker
Clarinet
Allison Storochuk, principal
Sheri Slater
Bassoon
Brent Filmer, principal
Keel Williams
Horn
Lisa Casey, principal
Amy Andreassen
TBA (to be filled 2016-2017)
TBA (to be filled 2016-2017)
Trumpet
Tijuana Julian, principal
Tim Wootton
Trombone
Bob Swanson, principal
Michael Stine
Jason Hausback
Percussion
Sue Reichling
Violin I
Pam Davis, concertmaster
Kirsten Weingartner Weiss
Aleksis Zarins
Violin 2
Allison Steiner, principal
Ned Horner
Carla Geter
Viola
Darrel Barnes, principal
Kathy Murray
Cello
Jacque Trtan, principal
Matt Pierce
Bass
Riley Robison
Harpsichord/Accompanist
Jonathan Raney
Chorus Master
Jim Davidson
Asst. Conductor
Amy Andreassen