Olin Library: Architecture : New Books 2022/03

Architecture of Health is a story about the design and life of hospitals-about how they are born and evolve, about the forces that give them shape, and the shifts that conspire to render them inadequate. Reading architecture through the history of hospitals is a deciphering tool for unlocking the elemental principles of architecture and the intractable laws of human and social conditions that architecture serves in each of our lives. This book encounters brilliant and visionary designers who were hospital architects but also systems designers, driven by the aim of social change. They faced the contradictions of health care in their time and found innovative ways to solve for specific medical dilemmas. Less-known designers like Filarete, Lluís Domènech i Montaner, Albert Schweitzer, Max Fry and Jane Drew, John Dawe Tetlow, Gordon Friesen, Thomas Wheeler, and Eberhard Zeidler are studied here, while the medical spaces of more widely-known architects like Isambard Brunel, Aalvar Aalto, Le Corbusier, Louis Kahn, and Paul Rudolph also help inform this history. All these characters were polymaths and provocateurs, but none quite summarizes this history more succinctly than Florence Nightingale, who in laying out her guidelines for ward design in 1859, shows how the design of a medical facility can influence an entire political and social order. Architecture of Health, richly illustrated with images and never before published renderings and drawings from the MASS Design Group, charts historical epidemics alongside modern and contemporary architectural transformations in service of medicine, health, and habitation; it explores how infrastructure facilitates healing and architecture's greater role in constructing our societies.

This stunning volume illuminates the current moment of artists' engagement with books, revealing them as an essential medium in contemporary art. Ever innovative and predictably diverse in their physical formats, artists' books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book can be. Many artists specialize in producing self-contained art projects in the form of books, like Ken Campbell and Susan King, or they establish small presses, like Simon Cutts and Erica Van Horn's Coracle Press or Harry and Sandra Reese's Turkey Press. Countless others who are primarily known as sculptors, painters, or performance artists carry on a parallel practice in artists' books, including Anselm Kiefer, Annette Messager, Ed Ruscha, and Richard Tuttle. Artists and Their Books / Books and Their Artists includes over one hundred important examples selected from the Getty Research Institute's Special Collections of more than six thousand editions and unique artists' books.   This volume also presents precursors to the artist's book, such as Joris Hoefnagel's sixteenth-century calligraphy masterpiece; single-sheet episodes from Albrecht Dürer's Life of Mary, designed to be either broadsides or a book; early illustrated scientific works; and avant-garde publications. Twentieth-century works reveal the impact of artists' books on Pop Art, Fluxus, Conceptualism, feminist art, and postmodernism. The selection of books by an international range of artists who have chosen to work with texts and images on paper provokes new inquiry into the nature of art and books in contemporary culture.  

Erik Larson, author of #1 bestseller In the Garden of Beasts, intertwines the true tale of the 1893 World's Fair and the cunning serial killer who used the fair to lure his victims to their deaths. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.

This murder mystery gives equal time to the architects, architecture, power, and politics necessary to bring the 1893 World's Fair to Chicago in a history that reads like a novel.

"There's nothing 'alternative' anymore about clean energy and green design. As this book makes beautifully clear, the future is here"-- Bill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out? Smart design can make solar, wind, and geothermal energy beautiful, affordable, and accessible to all. Thirty-five projects from around the world demonstrate that clean, healthy energy is within reach in every sector and field. Projects include homes at all scales and for all climates, schools, parks, and offices, and even power plants. Harmonizing nature, technology, and space, each project in Good Energy shows how design can improve planetary well-being while producing cost savings and creating green jobs. A visual and informative guide to renewable energy:Good Energy includes over 200 color photographs showing each project in stunning detail, accompanied by fascinating and informative essays. The book includes a foreword by artist and landscape designer Walter Hood, founder of Hood Design Studio, and an interview with Mark Z. Jacobson, Stanford University professor of civil and environmental engineering and a cofounder of the Solutions Project. Projects include: * Solar Strand, a solar power plant that is also a community mecca, in Buffalo, New York * Zero Carbon House, one of the world's most sustainable homes, in Birmingham, England * Avasara Academy, a school that inspires pride among its young women students, in Lavale, India Readers who are passionate about the environmental and economic health of their homes and communities will find fresh and practical ideas for an inclusive, equitable transition to renewable power in Good Energy.

An updated edition of the first - and still most authoritative - book on the legendary American iconoclast Twenty years ago, Phaidon published what has become the definitive study of Arkansas-born Jimmie Durham's career. This highly anticipated new edition brings this important book up to date, tracing his remarkable life from his experiences in the US, Mexico, and Europe - including his early involvement with the American Indian Movement - to his most recent output. It presents a full assessment of his sculptures, performances, wall-based collages, and ersatz ethnographic displays, that deliver ironic assaults on the colonizing procedures of Western culture.

A book for architects, designers, planners, and urbanites that explores how cities can embrace improvisation to improve urban life The built environment in today's hybrid cities is changing radically. The pervasiveness of networked mobile and embedded devices has transformed a predominantly stable background for human activity into spaces that have a more fluid behavior. Based on their capability to sense, compute, and act in real time, urban spaces have the potential to go beyond planned behaviors and, instead, change and adapt dynamically.   These interactions resemble improvisation in the performing arts, and this book offers a new improvisation-based framework for thinking about future cities. Kristian Kloeckl moves beyond the smart city concept by unlocking performativity, and specifically improvisation, as a new design approach and explores how city lights, buses, plazas, and other urban environments are capable of behavior beyond scripts. Drawing on research of digital cities and design theory, he makes improvisation useful and applicable to the condition of today's technology-imbued cities and proposes a new future for responsive urban design.]]>

An exploration of how an official French visual culture normalized France's colonial project and exposed citizens and subjects to racialized ideas of life in the empire. By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country's colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France's colonies across the seas.   These studies draw from the rich documents and media--photographs, albums, postcards, maps, posters, advertisements, and children's games--related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute's Association Connaissance de l'histoire de l'Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.